Whipscars And Tattoos

Author: Geoffrey Sanborn
Publisher: Oxford University Press
ISBN: 9780199837946
Size: 19.75 MB
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In this original study, Geoffrey Sanborn presents a fresh interpretation of the villanous Magua in James Fenimore Cooper's The Last of the Mohicans (1826) and of the dignified harpooner Queequeg in Herman Melville's Moby-Dick (1851). Through careful historical research, Sanborn has determined that both authors relied heavily on contemporary accounts of the indigenous natives of New Zealand, the Maori, to develop their iconic characters. Cooper drew heavily on the account of Te Aara in John Liddiard Nicholas's Narrative of a Voyage to New Zealand (1817) while Melville studied the personal history of Te Pehi Kupe in George Lillie Craik's The New Zealanders (1830) to flesh out his characterization of Queequeg. A close reading of the historical evidence and the source material supports this compelling line of argumentation. At the same time, this isn't a simple source study nor an act of explanatory historical recovery. The conception of the Maori is sophisticated and paradoxical, a portrait of violent but nonetheless idealized masculinity in which dignity depends on the existence of fiercely defiant pride. This lens allows Sanborn to present a radically different view of these fictional characters as well as underscoring the imaginative projection that went into reporting on the Maori themselves. Magua is no longer a stereotypical "bad Indian" or "ignoble savage," but rather a non-white "gentleman," an argument that supports Sanborn's contention that throughout his career Cooper prioritizes status equivalence over racial difference. Queequeg is similarly re-imagined, a move that allows Sanborn to explicate scenes in Moby-Dick that are often dodged by other critics because they do not fit with the standard interpretations of the character. The study as a whole provides a vivid example of the fascinating interplay between fiction and non-fiction in the nineteenth century.

Melville Fashioning In Modernity

Author: Stephen Matterson
Publisher: Bloomsbury Publishing USA
ISBN: 1623566061
Size: 14.13 MB
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Melville: Fashioning in Modernity considers all of the major fiction with a concentration on lesser-known work, and provides a radically fresh approach to Melville, focusing on: clothing as socially symbolic; dress, power and class; the transgressive nature of dress; inappropriate clothing; the meaning of uniform; the multiplicity of identity that dress may represent; anxiety and modernity. The representation of clothing in the fiction is central to some of Melville's major themes; the relation between private and public identity, social inequality and how this is maintained; the relation between power, justice and authority; the relation between the "civilized" and the "savage." Frequently clothing represents the malleability of identity (its possibilities as well as its limitations), represents writing itself, as well as becoming indicative of the crisis of modernity. Clothing also becomes a trope for Melville's representations of authorship and of his own scene of writing. Melville: Fashioning in Modernity also encompasses identity in transition, making use of the examination of modernity by theorists such as Anthony Giddens, as well as on theories of figures such as the dandy. In contextualizing Melville's interest in clothing, a variety of other works and writers is considered; works such as Robinson Crusoe and The Scarlet Letter, and novelists such as Fenimore Cooper, Nathaniel Hawthorne, Henry James, Jack London, and George Orwell. The book has at its core a consideration of the scene of writing and the publishing history of each text.

The Oxford History Of The Novel In English

Author: J. Gerald Kennedy
Publisher: Oxford University Press
ISBN: 0199908397
Size: 58.99 MB
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The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the "literary" novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies. In thirty-four essays, this volume reconstructs the emergence and early cultivation of the novel in the United States. Contributors discuss precursors to the U.S. novel that appeared as colonial histories, autobiographies, diaries, and narratives of Indian captivity, religious conversion, and slavery, while paying attention to the entangled literary relations that gave way to a distinctly American cultural identity. The Puritan past, more than two centuries of Indian wars, the American Revolution, and the exploration of the West all inspired fictions of American struggle and self-discovery. A fragmented national publishing landscape comprised of small, local presses often disseminating odd, experimental forms eventually gave rise to major houses in Boston, New York, and Philadelphia and a consequently robust culture of letters. "Dime novels", literary magazines, innovative print technology, and even favorable postal rates contributed to the burgeoning domestic book trade in place by the time of the Missouri Compromise. Contributors weigh novelists of this period alongside their most enduring fictional works to reveal how even the most "American" of novels sometimes confronted the inhuman practices upon which the promise of the new republic had been made to depend. Similarly, the volume also looks at efforts made to extend American interests into the wider world beyond the nation's borders, and it thoroughly documents the emergence of novels projecting those imperial aspirations.

The Adventures Of Tom Sawyer

Author: Mark Twain
Publisher: Penguin
ISBN: 1101219491
Size: 54.53 MB
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The classic adventures of one of American literature’s most beloved characters from Mark Twain, one of America’s best-loved writers. Here is a lighthearted excursion into boyhood, a nostalgic return into the simple, rural Missouri world of Tom Sawyer and Huckleberry Finn, Becky Thatcher, and Aunt Polly. It is a universal world of attending school and playing hooky, pranks and punishments, villains and desperate adventure, seen through the eyes of a boy who might be the young Mark Twain himself. There is sheer delight in Tom Sawyer—even in the darkest moments, affection and wit permeate its pages. For adults it re-creates the vanished dreams of youth. For younger readers it unveils the boundaries of tantalizing horizons still to come. And for everyone, it reveals the mind and heart of one of America’s best-loved writers. With an Introduction by Robert Tilton and an Afterword by Geoffrey Sanborn From the Paperback edition.

Plagiarama

Author: Geoffrey Sanborn
Publisher: Columbia University Press
ISBN: 0231540582
Size: 18.50 MB
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William Wells Brown (1814–1884) was a vocal abolitionist, a frequent antagonist of Frederick Douglass, and the author of Clotel, the first known novel by an African American. He was also an extensive plagiarist, copying at least 87,000 words from close to 300 texts. In the first full-length critical study of Brown in almost fifty years, Geoffrey Sanborn offers a novel reading of Brown’s plagiarism, arguing the act was a means of capitalizing on the energies of mass-cultural entertainments. By creating the textual equivalent of a variety show, Brown animated antislavery discourse and evoked the prospect of a pleasurably integrated world. Brown’s key dramatic protagonists were the “spirit of capitalization”—the unscrupulous double of Max Weber’s spirit of capitalism—and the “beautiful slave girl,” a light-skinned African American woman on the verge of sale and rape. The unsettling portrayal of these figures, unfolding within a riotous patchwork of second-hand texts, upset convention and provoked the imagination. Could a slippery upstart lay the groundwork for a genuinely interracial society? Could the fetishized image of a not-yet-sold woman hold open the possibility ¬¬of other destinies? Sanborn’s analysis of pastiche and plagiarism adds new depth to the study of nineteenth-century cultural history and African American literature, suggesting modes of African American writing that extend beyond narratives of necessity and purpose. Brown’s use of plagiarized texts and play with ownership are also important precursors to the work of such later authors as Pauline Hopkins, Nathaniel West, and Kathy Acker.

Melville And Aesthetics

Author: G. Sanborn
Publisher: Springer
ISBN: 0230120040
Size: 48.78 MB
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In an original and provocative series of readings that range across Melville's career, the contributors consider not only the sources and implications of Melville's aesthetics, but the relationship between aesthetic criticism, historical analysis, and contemporary theory.

The Pacific Arts Of Polynesia And Micronesia

Author: Adrienne L. Kaeppler
Publisher: Oxford University Press
ISBN: 0192842382
Size: 71.96 MB
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Comprising thousands of islands and hundreds of cultural groups, Polynesia and Micronesia cover a large part of the vast Pacific Ocean, from the dramatic mountains of Hawaii to the small, flat coral islands of Kiribati. This new volume in the acclaimed Oxford History of Art series offers a superb introduction to the rich artistic traditions of these two regions, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, personal ornaments, basket-making, clothing, textiles, fashion, the oral arts, dance, music and musical instruments--even canoe-construction--to provide the ultimate introduction to these rich and vibrant cultures. Each chapter begins with a quote from an indigenous person from one of the island areas covered in the book and features both historic and contemporary works of art. A timeline for migration into the Pacific includes the latest information from archaeology, as well as the influx of explorers and missionaries and important exhibitions and other artistic events. With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures.

The Sign Of The Cannibal

Author: Geoffrey Sanborn
Publisher: Duke University Press
ISBN: 9780822321187
Size: 17.76 MB
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By exploring cannibalism in the work of Herman Melville, Sanborn argues that Melville produced a postcolonial perspective even as nations were building colonial empires.

The Cambridge Companion To Herman Melville

Author: Robert S. Levine
Publisher: Cambridge University Press
ISBN: 9780521555715
Size: 72.18 MB
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Specially commissioned essays provide a critical introduction to one of the most significant writers of nineteenth-century America.